Off the Roll: Highlights of a Global Textiles Project

Skin Painting of the Spirit Achiya: latapa (Knifewing) (Zuni)


Teddy Weahke, Zuni People (Zuni Pueblo, USA)
Skin Painting of the Spirit Achiya: latapa (Knifewing) (ca. 1930)
deer hide, pigments
200.0 x 105.0 cm
Rudolf F. Haffenreffer Collection
75-92


Rudolph Haffenreffer, the founder of the HMA purchased this Zuni Skin painting in the early 1930s. It is a piece by Teddy Weahkee (1890-1965), a Zuni artist who worked in many mediums, including silversmithing, carving, and, as here, painting. Skin Painting of the Spirit Achiya: latapa (Knifewing) is made from deer hide and painted with a single large figure of the Spirit Achiya: latapa (Kachina (Knifewing)). Knifewing is depicted with winged arms outstretched, spread legs with high skin moccasins, and a spread feathered tail. In a August 2020 edition of Native American Art, Paula A. Baxter recounts what Knifewing signifies for the Zuni, and how Knifewing has figured into Zuni art:
"One of Cushing's [Frank Hamilton Cushing, an anthropologist who lived with the Zuni and then shared many of their stories and rituals without permission] most enduring contributions to the start of figural representation at Zuni was an illustration he made for a report to the Smithsonian's Bureau of Ethnology. He drew a reproduction of a shrine of the Bow Priests. On the top area of the Shrine was a depiction of the Zuni deity Achiyalatopa, or Knifewing. Cushing labeled this sacred being a god of war, but this figure also possessed a more complicated role as a warrior in folk tales. Knifewing had both monstrous and beneficial attributes, and was associated with animal spirits. A number of Zuni smiths told John Adair that once a Knifewing design was rendered in silver, it lost all religious significance...Horace Iule (1901-1978) is credited with being the first smith to create a silver Knifewing for decorative purposes in the late 1920s. Fellow artist Juan Dedios (1882-1944) was also known for his renderings of the Knifewing in the 1930s. This image was a breakthrough of sorts in terms of figural designs." - Paula A. Baxter
 
In Passionate Hobby, Barbra Hail further elaborates, explaining that Achiya: latapa "was used as a symbol of power by the Lhewe: kew (Sword Swallowing Society), no longer in existence, and Halo: kwe (Ant society)" (1994: 104). Hail recounts that this piece was likely brokered though C.G. Wallace, a trader at Zuni, who worked with Teddy Weahkee from the mid-1920s through the 1930s. "Commercially available during this period, such painted skins had no part in Zuni ritual" (Hail 1994: 104). While spiritual in subject matter and decorative rather than religious in purpose, Knifewing remains an important icon in Zuni art.

This page has paths:

  1. Spiritual Iconography and Ceremonial Objects Jennie Smithken-Lindsay

This page references: